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However, we can change the velocity of each segment on the fly in WordBuilder, if we so desire. The incoming note from your controller or sequencer will have a velocity value that will be passed into each segment in WordBuilder. Thus we can see that WordBuilder is a sophisticated MIDI processor, and harnessing its power is no small undertaking. The composer things of this as a single word or syllable, however WordBuilder must break this individual word into multiple segments, “s”, “l”, and “y” – each to be routed (with the same note value) to a different sample. The first thing to understand about WordBuilder is that while a monophonic note-line will be routed in (from your controller or sequencer), WordBuilder will transmit much more MIDI data at output. We fire up Logic, WordBuilder, and 4 instances of our Choirs Kompakt plugin (SATB), and begin our foray into building words.
EAST WEST SYMPHONIC CHOIRS WORD BUILDER NOT WORKING PRO
That said, our look at WordBuilder will be brief, only because the application is so deep that to fully explain its use and application would exceed the scope of a review and lead into something more of a tutorial.Īs we discussed in the earlier episodes, we’re using Choirs along with Logic Pro 7 – thus we use WordBuilder in standalone mode. But more important is the ability to actually get the choir to say exactly what you want them to, without resulting to bland “Oooohs” and “Aaaaahs” or resulting to bland, pre-recorded phrases such as “Hallelujah”. Sure – in terms of raw samples, there has never been a choir library this substantial. WordBuilder is arguably the most significant piece of technology in the Choirs package. In case you weren’t already impressed with its 9 DVDs of sounds, in this episode, Brent constructs actual words out of samples - the holy grail of synthetic vocals. Brent Latta continues pouring over the epic choral sampling library that is EWQL’s Symphonic Libraries.